Quite simple: I work on my MPC, I ruin vinyl, I spend time with my wife and my friends...Â
What is your dish and your favorite drink?Â
The Thai food! Chinatown! Besides for the lovers must absolutely go to the "New Village Tao Tao" Boulevard Vincent Auriol in the 13th: just the best Thai in Panama! Regarding the drink, and Liptonic Whiskey Coke.Â
What reports do you maintain with the Internet?Â
Somewhat reluctant at first, for every side "dematerialization of music" but hey, we're made of vinyl is a different audience ... I think the mp3 and vinyl are perfectly complementary, as vinyl is a more public specialized, the DJs and people attached to the object while the mp3 lets everyone has access to music. After, it has its advantages (you're more compelled to buy an album for 2 songs and 10 fresh dung in that AC can take the music up.) And disadvantages (I have the impression that there are more and more crap and good stuff is drowned in it ...).Â
What are your main sources of inspiration?Â
Ghetto House of Chicago, The Dirty South, rap old school with good fat samples, funk late 70s or early 80s, the House / French Touch in the late 90's / early 2000, the Miami Bass, the Soul...
How did you come to the ghetto?Â
Being a big fan of House and Hip Hop have long sought a "mix of both styles not so different as they have the same origins. At first I began to make tracks "Funky House" with samples of voices Hip Hop: Geez I was but I quickly realized that I had not invented the hot water and that the music I was looking existed for 15 dipsticks in the Midwest.Â
In Chicago, even the kids are into it. When you stroll in Panama and you see kids, they take their Samsung for ghetto blaster and put Travis in depth. The lower they are the ghetto and dance the "Juke": a kind of Krump Footwork ... is impressive. We found a little energy from the Old School Hip Hop or the music and dance were inseparable. In Europe this music reached by the label "Dirty Musik" who signed many of the pioneers of Chicago
